Gulabo Sitabo

Movie Review (Hindi)

I have grown to enjoy all the movies that Amitabh Bachchan has acted in lately, meaning as an older man rather than the angry action hero. I am also a huge follower of Ayushmann Khurrana's movies. And when both are present in the same movie, of course I do not give it a miss!

So I had to watch Gulabo Sitabo and as expected it was an amazingly well made engrossing movie. 

The protagonists, Mirza and Baanke, played by Amitabh Bachchan and Ayushmann respectively, have a lot of competition for screen space. Not only with the other characters but with the huge Haveli, known as Fatima Haveli, located in the old part of Lucknow, the sprawling palatial home of his wife, which  Mirza wants to own more than anything else.

With Juhi Chaturvedi as the screenplay writer and Soojit Sarkar directing, there were bound to be some takeaways. So lawyers, builders and archeologists (this was a first!) descended on the haveli owner (by proxy) and the tenants, and it was holy mayhem! 

What also stood out for me was the woman power. Be it Begum, the owner of Fatima Mahal, played by Farrukh Jaffar, or Guddo, Baanke's sister, played by Srishti Srivastava.
The cinematography beautifully brought the crumbling Fatima Mahal to life with the lives of the tenants and landlord intertwining and playing out in different ways.

Badhaai Ho (Congratulations)

Movie Review (Hindi)

There are some things in life which the younger generation take for granted. For example – Parents are there primarily to fulfill the needs of children or the household. That they are two individuals who are human beings with the same sense and sensibilities as them does not seem logical to them.

So when a middle aged couple, (played expertly by Neena Gupta and Gajraj Rao) expect another child after 16/17 years, there is a negative eruption in the house and bad jokes and rib poking float around among friends, relatives and acquaintances.

The movie deals with this subject and deals with it expertly. The elder son of the couple, Nakul (played by Ayushmann Khurrana) is working and has a girlfriend (played by Sanya Malhotra), his younger brother is in class XII and both become butts of jokes. Strangely, it is only when Nakul’s girlfriend Renee’s mother talks about the embarrassment that the older couple has caused, that Nakul speaks out for his parents and is able to see things in proper light.

Funnily enough, this kind of a situation, (late pregnancy), was a common occurrence just two generations ago.

Though the film is not a big budget one, meaning there are no huge stars in it, the actors are the best in the business. The person who simply stands out with her act is Nakul’s Granny, played by Surekha Sikri. She cantankerous, very annoyed with her daughter in law at all times, furious that the son and daughter- in-law should indulge in love making at their age but also standing up for them when society makes fun of them.
These are the kind of films that will rule the roost because they hit closer to home. It is primarily our story that we see on screen and we love to watch it from the outside watching how things unravel and then fall into place.

Andhadhun (Blind tune)

Movie Review (Hindi)

Director and screenplay writer, Sriram Raghavan is a master of thrillers and he has not let his audience down in this movie either. The title itself is interesting – Blind Tune – and the entire movie revolves on Andha and Dhun.

Akash, the protagonist, played by Ayushmann Khurrana, the apparently blind pianist who becomes a blind pianist and then becomes an apparently blind pianist does a wonderful job trying to anchor the story with his presence at places where he his not required.

The person who stands out for me is Simi played superbly by Tabu, the wife of Pramod Sinha (Anil Dhawan), the yesteryear actor. She lives only for herself and therefore faces no conscience trouble.

What keeps the audience glued are the amazing twists that stand out on the screen (quite literally). The later half is a bit pulled but even that ends with a huge bang and you come out smiling. An open ending is always the best way to keep the audience happy.