Two Movies and a Web series

 Review

Dahaad, Kathal and Bheed

Watch all the three and then thank me. 

The three have something in common - the protagonist in each of them is a police officer belonging to a lower caste (as per the Indian caste system still followed by many). Two of them are unmarried women.

Dahaad (Roar) is a thriller web-series. You will be binging on this. Sonakshi Sinha has done a wonderful job as a protagonist. She plays a police officer carrying the burden of two curses - being an unmarried woman in a man’s world and belonging to a lower caste. I mention this because these themes flow through the series like an undercurrent, making you constantly aware of them.

But hats off to the psychopath serial killer played by Vijay Verma. I think he has fine-tuned his ability to portray such characters.

That the story has been told impeccably and it portrays a strong woman comes as no surprise because Zoya Akhtar and Reema Kagti are the creators.

Looking forward to more such stories from this genre.

Kathal (Jackfruit) as a satirical comedy, shines. Sanya Malhotra plays the police officer, unmarried in a man’s world, also belonging to a lower caste, has really honed her acting skills. It’s a joy to watch her smile and catch criminals and carry the movie on her shoulders.

An aside on the story: A fact that it is almost impossible for a woman to marry someone above her caste even if she is a police officer. This officer makes sure that the constable boyfriend gets promoted to a sub-inspector so that the professional gap isn’t too huge. However, the inspector is saddened by the fact that she has been promoted to DSP!!

The movie revolves delightfully around the disappearance of two jackfruits (of a very high quality, or so it seems) from a politician’s garden and trying to locate them and at no point does the movie’s plot seem banal. So who stole the jackfruits and why were so many girls disappearing?

Bheed (Crowd) is in black and white and one of the reasons why it hits the senses hard. Yes, the lack of colour makes the story more poignant. Rajkumar Rao plays the role of a policeman who (yes you guessed it!) belongs to the lower caste. With a strong cast including Rajkumar, Bhumi Pednekar, Pankaj Kapur, Ashutosh Rana, the movie delivers its message well and clear. The COVID times are not easily forgotten. The pain and the helplessness of those walking on the roads for days trying to reach Home and are shut out at the border by an unfeeling administration is portrayed expertly so that it hits the audience hard.

Anubhav Sinha has done a wonderful job trying to bring out the layers of human emotions and drama when faced with the question of survival. 

Article 15

Movie Review (Hindi)

I think films are a hit when they hit close to our hearts. 

We have had the Constitution since 1950 and even today Indians are yet to understand and accept its contents. This is rampant in areas where politicians, lawmakers and security forces are in cahoots, loving the power they seem to have over people who are essentially poor. Poverty opens the doors to all sorts of discrimination. It is easy to beat down a person already compromised.

The movie, Article 15, has drawn out this chasm in our society. When the protectors of law decide to side with perpetrators of crime because they feel empowered, all is lost. The protagonist, Ayaan, played by Ayushmann Khurrana, is caught in this power play even though he is an IPS officer. He has no idea about societal discrimination in the heartland of his country he is proud of. He is therefore, quite shocked when his staff at the small station he is posted in, state their position in society based on their castes. He is enraged when the Dalits are referred to as They, as though they were from another planet.

The movie is gripping in the way the story is told and is edited. There is a sense of menace and danger lurking in the corners and I at times felt engulfed by its shadows. How a gang rape is easily turned into an honour killing, how witnesses are forced to change their statements, post-mortem reports are messed with, criminals are sheltered and go missing and how the CBI botches up, are all intelligently played. That the leader of the underground Dalit force could be an educated young man who could hold an intelligent conversation was a brilliant move as was the piling up of carcasses and overflowing septic tanks.

The cast was brilliant in their roles as was the music, not the forget the opening with Bob Dylan's "How many miles must a man walk down ..."

I have been an Anubhav Sinha fan since Mulk. I now really look forward to more such movies that need to be screened all over the country.