Movie Reviews, Theatre in India, Travel trails --- see images of life through Sonali Jha Chatterjee's logbook...
Thursday, 25 October 2018
Badhaai Ho (Congratulations)
So when a middle aged couple, (played expertly by Neena Gupta and Gajraj Rao) expect another child after 16/17 years, there is a negative eruption in the house and bad jokes and rib poking float around among friends, relatives and acquaintances.
Tuesday, 9 October 2018
Andhadhun (Blind tune)
Movie Review (Hindi)
Director and screenplay writer, Sriram Raghavan is a master of thrillers and he has not let his
audience down in this movie either. The title itself is interesting – Blind Tune
– and the entire movie revolves on Andha and Dhun.
Akash, the protagonist, played by Ayushmann Khurrana, the apparently
blind pianist who becomes a blind pianist and then becomes an apparently blind
pianist does a wonderful job trying to anchor the story with his presence at places where he his not required.
The person who stands out for me is Simi played superbly by
Tabu, the wife of Pramod Sinha (Anil Dhawan), the yesteryear actor. She lives
only for herself and therefore faces no conscience trouble.
What keeps the audience glued are the amazing twists that
stand out on the screen (quite literally). The later half is a bit pulled but even that ends with
a huge bang and you come out smiling. An open ending is always the best way to
keep the audience happy.
Labels:
Andhadhun,
Anil Dhawan,
Ayushmann Khurrana,
Blind,
Hindi movie,
Pianist,
Review,
Sriram Raghavan,
Tabu
Wednesday, 3 October 2018
Manto
Movie Review (Hindi)
One thing is for sure – nothing has changed
in the way governments run and the way dissent is looked at or the way truth is
perceived.
The movie certainly worked its magic
holding me in a trance for the entire duration. For me Saadat and Nawazuddin
have merged. No one else could have brought him to life with such ease as him.
All thanks to Nandita Das for directing so capably, a topic that was so vast
and so complex - both the character Saadat Hasab Manto and the concept of Mantoiyat.
The dexterity became evident as the story
weaved in Manto’s stories and his life. All my favourite stories were captured so
sensitively and kudos again for getting the best in the industry to enact two-minute
roles!! This does send the message that mantoiyat is here to stay.
The punch line came with Faiz Ahmed Faiz’
Bol, reawakening your conscience, giving you the courage to speak up in times
when it is most required.
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