Movie Reviews, Theatre in India, Travel trails --- see images of life through Sonali Jha Chatterjee's logbook...
Thursday, 17 October 2019
The Sky is Pink
The main protagonist and narrator
is already dead when the movie starts
Sunday, 25 August 2019
Mission Mangal (Mission Mars)
Movie Review (Hindi)
Based on the true story of the launch of
the Mars Orbiter Mission on 5th Nov 2013, Mission Mangal is an
engrossing movie told well. I have always rated movies based on how I am
affected by it, though there have been some occasions when I have allowed
critics voices to cloud my thinking. I am cured of that now. Why I mention this
is because Mission Mangal got me hooked to the screen, though several critics had assured that the movie was a dud.
As a child, I have imagined myself with Capt.
James Kirk and Mr. Spock on Enterprise going where no man has gone before. So,
in a sense, Mission Mangal opened up that fantastic world for me once again. As
I was sucked into this wonderful mystery that is Space, I also enjoyed the
stories that each character came with. However, there was a problem here - There
was no story on Akshay Kumar, the director of the mission.
Thank you, Jagan Shakti, for following your
faith in the story and directing this so admirably. The plot was tight and the
actors were really good at their job.
I think such movies are one of the ways to
ignite that spark among young minds today. They are raring to go and when
they find a true story to inspire them, they will hold on to it and fly.
Labels:
Akshay Kumar,
Hindi movie,
Jagan Shakti,
Mars Orbiter Mission,
Mission Mangal,
Review,
Space
Tuesday, 9 July 2019
Article 15
Movie Review (Hindi)
I think films are a hit when they hit close to our hearts.
We have had the Constitution since 1950 and even today Indians
are yet to understand and accept its contents. This is rampant in areas where
politicians, lawmakers and security forces are in cahoots, loving the power
they seem to have over people who are essentially poor. Poverty opens the doors
to all sorts of discrimination. It is easy to beat down a person already
compromised.
The movie, Article 15, has drawn out this
chasm in our society. When the protectors of law decide to side with
perpetrators of crime because they feel empowered, all is lost. The
protagonist, Ayaan, played by Ayushmann Khurrana, is caught in this power play
even though he is an IPS officer. He has no idea about societal discrimination in
the heartland of his country he is proud of. He is therefore, quite shocked
when his staff at the small station he is posted in, state their position in society based on their
castes. He is enraged when the Dalits are referred to as They, as though they
were from another planet.
The movie is gripping in the way the story
is told and is edited. There is a sense of menace and danger lurking in the
corners and I at times felt engulfed by its shadows. How a gang rape is easily
turned into an honour killing, how witnesses are forced to change their
statements, post-mortem reports are messed with, criminals are sheltered and go
missing and how the CBI botches up, are all intelligently played. That the
leader of the underground Dalit force could be an educated young man who could
hold an intelligent conversation was a brilliant move as was the piling up of
carcasses and overflowing septic tanks.
The cast was brilliant in their roles as was the music, not the forget the opening with Bob Dylan's "How many miles must a man walk down ..."
I have been an Anubhav Sinha fan since Mulk. I now really look forward to more such movies that need to be screened all over the country.
Labels:
Anubhav Sinha,
Article 15,
Ayushmann Khuranna,
Dalit,
Hindi movie,
Police,
Review
Monday, 18 March 2019
Photograph
Movie Review (Hindi)
Two very different worlds collide and there is no eruption of any form, just a slow melt. That is the story of Photograph. The technique the director, Ritesh Batra, uses is tricky. His story unfolds slowly without any hurry but most importantly, without any ups or downs. Throughout the movie I waited for the moment of crisis and it never came, making me feel cheated. The movie ended as strangely and left me feeling a little lost.
Miloni, played by Sanya Malhotra, is a young, intelligent and pretty woman. But she hardly talks or smiles. Rafi, played by Nawazuddin, is also not much of a talker. But then Nawazuddin makes every character his own and is at ease.
Thank god we had Rafi’s grandmother, played by Farrukh Jaffer, coming in who brings some life on screen, managing to ignite some reaction from the other two.
The cinematography was wonderful because it was easy to be a part of Mumbai going through its streets, chawls, cinema halls, teashops and the Gateway of India. This last one is where it all began with the photograph taken by Rafi, one of several professional photographers at the Gateway who coerce you to get clicked. Miloni gets clicked but then vanishes without paying and the copy remains with Rafi. He uses this photo to introduces her as his fiancée to his grandmother.
Batra’s earlier movie, Lunch box was also slow moving but the story was gripping. Looking forward to more movies from Ritesh, only I need something to hold on to.
Tuesday, 26 February 2019
Gully Boy
Movie Review (Hindi)
"He is just a Gully Boy" said one of the characters in the movie. But “just the Gully boy” went on to rule hearts. Ranveer Singh, playing the reticent character Murad, expresses his dissatisfaction at the way things are in his world in the Dharavi slums through poetry. The energy levels in the movie rise with the entrance of MC Sher played by Siddhant Chaturvedi, the rapper who shows Murad a way out of the mundane. Our Gully Boy then raps his way into a confident individual able to stand up to his father’s dominance.
With actresses like Alia Bhatt and Kalki Koechlin providing support, the movie is bound to do well. The characters are well etched and the edit is fast. Dharavi stands out as a world holding many, many stories waiting to be told.
Director Zoya Akhtar certainly knows how to hold the attention of ciné goers, ending with the competition. It is an age-old trick which somehow always get the right reaction to a sense of vindication. I only wish the director had risen above this and taken the movie to a different level.
Nevertheless, I loved the statement, so pregnant with hope and aspiration – Apna time aayega!
Labels:
Alia Bhatt,
Dharavi,
Gully Boy,
Hindi movie,
Kalki Koechlin,
movie review,
Ranveer Singh,
Rap,
Zoya Akhtar
Saturday, 9 February 2019
Uri
Movie Review (Hindi)
For a long time now, I have been hearing rumours about the Surgical strike by the Army on Pakistani soil being a fake incident, created by the Government to gain brownie points. Funnily enough, Uri takes off from these rumours and creates a damn good movie. The docudrama format helps in creating the authenticity required.
The choice of the protagonist, played by Vicky Kaushal, was bang on target. He got into the skin of the character and seemed to be comfortable being a Para Commando.
I think what stood out for the movie was the lack of long speeches exulting patriotism. It was the action that got the patriotic flame burning. The director, Aditya Dhar, has kept the story taut and does not loosen his grip which adds to the rawness.
A mother’s Alzhiemer’s, a dear friend’s death, a sister’s widowhood, a child losing a loving father, lawmakers taking risks for the greater good – all of these come together and burst forth spewing molten lava leaving behind an impactful movie that asks – “How’s the Josh?” You are bound to reply – “Very High!”
Labels:
Aditya Dhar,
Hindi movie,
patriotism,
Review,
Uri,
Vicky Kaushal
Thursday, 29 November 2018
Bohemian Rhapsody
Movie Review (English)
This particular Rhapsody had me from the word Go. From the first scene, as the auditorium filled with the melodramatic music that only Queen could come up with, I began singing. Growing up, Queen was always on the top five of my most favourite rock bands.
So, I was quite apprehensive when I heard
about this movie and I read a few reviews which were not full of praises.
Anyway, anything to do with Queen, I needed to be in on it. And was I glad to
have watched this wonderfully directed and superbly enacted movie!!
To be able to decide which aspect of
Freddie Mercury to highlight, which years to look into and at the same time highlight
the growth of this remarkable band was the work of some genius. To end the movie on the Live Aid concert note – was a well thought out
move - the piece de resistance for Queen as far as performance goes. But of
course, some of their best music was composed after this concert.
Thank you, Rami Malek (actor), Brian Singer
(Director) and Anthony McCarten (Screenplay writer) for resurrecting Freddie and
Queen so brilliantly. The slick edit got the movie going at a fast pace just
apt for depicting Queen.
I wanted to come out feeling good about Freddie and not dive into the darker world that he hid so well from his fans and I am glad I saw Freddie at his best!
Queen continues to Rock its fans making us feel like Champions!!
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